Sets of three posters were designed for The Human Touch, a symposium on the effect of the digital age and the need for physical material.

In Series 2, the posters feature macro photography of three different objects related to the handmade market on the last day of the event. Each of the objects: jewelry, pottery and thrifted clothing, are broken down to their respective materials, relating back to the idea of the tactile.

These posters were exhibited at the John E. Reeves Great Hall at FIT in the 2024 Graphic Design BFA Triptych Show.

Sets of three posters were designed for The Human Touch, a symposium on the effect of the digital age and the need for physical material.

In Series 1, the posters feature hand-embroidered imagery of a Mac computer window and the pixel iconography of Susan Kare for Apple. The use of physically made media with the digital subject are used to emphasize the idea of a return to physicality.

These posters were exhibited at the John E. Reeves Great Hall at FIT in the 2024 Graphic Design BFA Triptych Show.

This book explores the importance of displaying collections while embodying the unique architecture of the Gilder Center that houses them. It also features a gallery wall reminiscent of the Gottesman Library's own Great Range display. This work was custom dyed, die-cut and binded by me.

Conceptual publication, attn, discusses the fraying of our attention spans and encourages those with

Versus: Systems in the Library compares the two main systems used to categorize and organize libraries, exploring how university libraries, such as the Gladys Marcus Library at FIT, are shaped by the Library of Congress Classification system. How would our access to information change if we used a different system? Using foldouts and infographics, this book demonstrates how the method we display information changes how we access the information.

This book documents the limitation to the public at the New York Public Library's main branch, the Stephen A. Schwartzman building. In a space dedicated to public use, visitors are herded through the halls, restricted by "No visitors, staff only" signs.